The Flight of the Macaw

The Flight of the Macaw

by Derrick Bruno

https://HalfEvil333.com

The Flight of the Macaw was one of my greatest pictures as an artist. I not only completed this piece in a good time-frame but I used over 40+ colored pencils. Composing this image was no easy feat at all either. The reference shot I had was small and blurry, but the pose fit what I was going for. I used other references such as encyclopedias, and zoology books to get the bone structure, and muscle movements down. In this blog I will be giving you a day by day play into the creation of this piece. 

Prints are available at https://www.halfevil333.com/art

DAY ONE

And the macaw spreads his wings. There is something releasing about sketching the picture on the paper. It can be difficult to start a new project sometimes, and I know once I start to draw the piece I know it's on. I found a good composition in this image that followed a line of action. It gives the illusion of the birds movement, and flight path which is right off the page. I started to color the head and saw the clock, time for a break. 

DAY TWO

I really jumped right into this piece. I felt an immediate connection, and after the success with the Bird in Bloom piece I really wanted to improve more. I used about 4-5 pencils to get a good bone color in the beak. I started to work on the creases and noticed that after I colored in the eye, I felt him staring right at me with almost a grin. Although the camera I used picked up more white than it should have, you can still see the layers of colors I started to put in. I wanted to give this bird a bit of my personality, and you can see that with the yellow to red flame coloring I put in his feathers. 

DAY THREE

Something happened today that was a bit unexpected for me. I found detail that was not in the reference picture. My dad in Costa Rica took a far away shot of this bird in flight and it was very blurry. You could say that I winged it...pun. Seriously though I stopped looking at the photo at this point and just colored. I saw the form of this beautiful bird and knew where I wanted the muscles to flex, and even more I wanted to feathers to fluff out as if he had just flapped his wings, and you get that hint of back-draft. I also went right into the shading too. I don't usually do this until I shaded all the base colors, but like I said something just came over me today, and I was on fire looking forward to tomorrow. 

DAY FOUR

Back to what I was talking about in day three. The muscle definition. I think that was my primary focus on this piece. Not only did I want to see how many colors I could put in it, but I wanted to see how many feathers I could ruffle, and muscles I could flex. The one small challenge I found was the molted white feathers on the legs and by the wings. With colored pencils you cannot just color white over red and expect white. So I had to color around these areas using negative space, and then using small strokes to add the detail of them being white feathers. I did this with grays and browns. After adding some lights and shadows to this point I think I was done for the day. 

DAY FIVE

Today the macaw started to fly. Can I admit one thing, I actually go so nervous before I started the wings that I took a day or two away from this piece. after I put so much detail into the body I couldn't mess up on the wings. That would be the end of it. So I started on the feet. Believe it or not the feet were harder than the wings. I had to get a movement that made sense as well as give them some texture. The color was interesting to, I would say between the blues, grays and tan colors there were about 7-9 colors in the feet alone. That's why I love colored pencils. Just by adding one more color in a different direction or stroke you change the look and feel of what you are coloring. It may take longer, but you have total control. As for the wings I think the most difficult part was the angle of the feathers and showing the wind pushing down on the top feathers, and lifting the bottom. to do that I added a curve at the end of each feather, and moved them as I visualized the bird in motion. You have to do this, create a line of action and engage the audience. You have one image to capture their imagination, by drawing them into yours. 

DAY SIX

Ah the right wing. This wing was killer. I almost made the mistake of thinking the macaw's feathers were blue on the top and bottom. After looking it over I found they were just a darker color of red. The feathers are actually layered, and their blue feathers are on top. That being said I really thought I would have more blue in this picture, but If I am going to make it believable you have to do your research, even if you are making it your own. Now if you are drawing directly from your imagination, which I love, then all bets are off. This is the funny part I made sure that I placed the blue on the second wing anyways. I changed to composition to have this wing come off the border. It solved two problems for me, One I needed the wings to match up in color, and Two this was a perfect line of action that made this draw much more interesting. Now I was ready to move forward. 

DAY SEVEN

This is the phase where most of artists start to crash. The final lap of the finish line, and you fear finishing. Part of you wants to push harder just to end it, and the other halve just wants to put it away and never finish it because you fear the success or failure of possible messing up. This is where you have to be cautious and take breaks. For me I told myself I would just do the log for the day, and as hard as that was I did it. I added the shadows, and different colors of browns to get the color I wanted. A voice poked in to my head saying just color in the shrubs and be done with it, I know that would have been a big mistake. I was tired, and my wrist was hurting, and I know I would have skipped details, and just rushed it. So I gave it one more day. I originally attempted to draw this 18" x 24" colored pencil piece in 7 days, but I would rather add one more day and be happy with it, than ruin it but trying to hit a deadline that I placed on myself. 

DAY EIGHT

And with the large brush in the background with the skyline, this piece is finally completed. I think this piece cemented me into a good spot as an artist. What I accomplished fore myself was just priceless when I finished this macaw piece. I used over forty colored pencils, and I did it in eight days. It was a good feeling to know I did that, and I wanted to do it again. I continued making new portfolio pieces here on out, and rebuilding everything. If you think about it The Flight of the Macaw was me. I was spreading my wings and letting the wind take me. All the way trough I animated him in my head watching him move, and I think that made the picture take form and move with me. 

Thank you very much for following me on this piece, and remember prints are available at https://www.halfevil333.com/art

How to Draw a Feather With Colored Pencils

How to Draw a Feather With Colored Pencils

by Derrick Bruno

Http://HalfEvil333.com

Thank you for your Donation & Support!

https://www.pinterest.com/pin/60869032440589807/

Welcome back to my free art lessons page. In this lesson I will teach you a fun way to create feathers with character and color. I had many suggestions on what colors to use and I got an overwhelming amount of purples and blues, but you may choose any combination of colors that you like. We will focus on our strokes, directional shading, and color blending in this lesson this time around. So shall we begin?

Step 1: To start this lesson we are going to create a basic line sketch of our feather. Start with the quill of the feather to create your curve. Once you have the shape of the feather you would like begin sketching from the bottom up to create an outline as shown below. 

Tip: You can also get a bit creative and play with different shapes of feathers or use a reference of a specific feather you would like to draw. I encourage imagination & originality. 

Step 2: In this step we are going to add a bit of character to the feather which will also help us with the coloring. Erase a couple sections in the sides of the feather to add breaks in the feather. Once you are satisfied with the look of your feather add some loose strings to the bottom near the base to show breakage. Once finished, we are now ready to grab some color. 

Step 3: Starting with the color Black we are going to start giving the feather direction and shape. Make sure your pencil is sharpened nicely and start off by shading in a V like pattern up and down the feather like a Richter scale. Once you have this area shaded in re-sharpen your pencil and add in some line strokes through the shading. 

Step 4: It's time to grab our colors and make this feather stand out. For this lesson I will be using shades of Purple, & Blue. My kids wanted me to do an Ice feather, and I thought that would look pretty cool. To start off reach for the Purple colored pencil and starting from the bottom you are going to color in the direction of the feather in a V like pattern. We are going to go over the black colors and overlay this effect to start a blending. Add more sharp stroke lines to pull the purple out across the feather. This will stand out towards the end of the picture. Remember to add some purple to the bottom of the feather for the broken spurs at the bottom.

Step 5: Next we are going to add our blue to the feather. For this portion I used a Royal Blue colored pencil to have a nice bold color to blend into the purple. Color over the purple and black areas and expand the strokes a little further outward to cover more of the feather. Remember to follow the same direction of strokes from the stem to the end of the feather. Create a feathering effect on the border of the feather with small jagged strokes along the edges of the feather. This will give the illusion of individual hairs. Once finished sharpen your Royal Blue color and make individual strokes from the shaft to the edge one by one. This will create a sense of shading across the feather. 

Step 6: For the last step we are going to add the final color and do some clean up work. I used a Sky Blue color to finish this feather off. Using the sky blue you are going to cover the feather completely, but remember to color in the direction of the feather hairs. From the stem to the edge. This is important because if you go left and right or in circles you will lose that illusion of individual strands that we are going for. Once you have the look you are going for we are going to clean up the feather by adding more Black and some Gray for the stem. Begin by going over the black once more to bring it out some more. Add a couple of strokes across the feather and the edges to create some shading. Once you are satisfied, use the gray to shade in the stem to complete the drawing.

This is a fun lesson to repeat in many different ways. You can create some very cool feathers by adding swirl designs, or playing with different colors. Just remember to have fun with it and make it your own drawing. The most important skill you want to take a way from this lesson is the directional shading, and the different strokes you get from a sharpened pencil and a dull one. Both have their advantages. 

I hope you enjoyed this lesson. Remember to subscribe to my blog for more Free art lessons, and Advice on how to get past the many road blocks we face as artists. Have a great day. 

Follow me on Pinterest for a complete set of Lessons with quick links and great images. 

Http://Pinterest.com/DtheArtist

The Flight of The Macaw - by Derrick Rathgeber

The Flight of the Macaw

by Derrick Rathgeber

http://DerricktheArtist.com

The Flight of the Macaw was one of my greatest pictures as an artist. I not only completed this piece in a good time-frame but I used over 40+ colored pencils. Composing this image was no easy feat at all either. The reference shot I had was small and blurry, but the pose fit what I was going for. I used other references such as encyclopedias, and zoology books to get the bone structure, and muscle movements down. In this blog I will be giving you a day by day play into the creation of this piece. 

Prints are available at http://fineartamerica.com/featured/the-flight-of-the-macaw-derrick-rathgeber.html

DAY ONE

And the macaw spreads his wings. There is something releasing about sketching the picture on the paper. It can be difficult to start a new project sometimes, and I know once I start to draw the piece I know it's on. I found a good composition in this image that followed a line of action. It gives the illusion of the birds movement, and flight path which is right off the page. I started to color the head and saw the clock, time for a break. 

DAY TWO

I really jumped right into this piece. I felt an immediate connection, and after the success with the Bird in Bloom piece I really wanted to improve more. I used about 4-5 pencils to get a good bone color in the beak. I started to work on the creases and noticed that after I colored in the eye, I felt him staring right at me with almost a grin. Although the camera I used picked up more white than it should have, you can still see the layers of colors I started to put in. I wanted to give this bird a bit of my personality, and you can see that with the yellow to red flame coloring I put in his feathers. 

DAY THREE

Something happened today that was a bit unexpected for me. I found detail that was not in the reference picture. My dad in Costa Rica took a far away shot of this bird in flight and it was very blurry. You could say that I winged it...pun. Seriously though I stopped looking at the photo at this point and just colored. I saw the form of this beautiful bird and knew where I wanted the muscles to flex, and even more I wanted to feathers to fluff out as if he had just flapped his wings, and you get that hint of back-draft. I also went right into the shading too. I don't usually do this until I shaded all the base colors, but like I said something just came over me today, and I was on fire looking forward to tomorrow. 

DAY FOUR

Back to what I was talking about in day three. The muscle definition. I think that was my primary focus on this piece. Not only did I want to see how many colors I could put in it, but I wanted to see how many feathers I could ruffle, and muscles I could flex. The one small challenge I found was the molted white feathers on the legs and by the wings. With colored pencils you cannot just color white over red and expect white. So I had to color around these areas using negative space, and then using small strokes to add the detail of them being white feathers. I did this with grays and browns. After adding some lights and shadows to this point I think I was done for the day. 

DAY FIVE

Today the macaw started to fly. Can I admit one thing, I actually go so nervous before I started the wings that I took a day or two away from this piece. after I put so much detail into the body I couldn't mess up on the wings. That would be the end of it. So I started on the feet. Believe it or not the feet were harder than the wings. I had to get a movement that made sense as well as give them some texture. The color was interesting to, I would say between the blues, grays and tan colors there were about 7-9 colors in the feet alone. That's why I love colored pencils. Just by adding one more color in a different direction or stroke you change the look and feel of what you are coloring. It may take longer, but you have total control. As for the wings I think the most difficult part was the angle of the feathers and showing the wind pushing down on the top feathers, and lifting the bottom. to do that I added a curve at the end of each feather, and moved them as I visualized the bird in motion. You have to do this, create a line of action and engage the audience. You have one image to capture their imagination, by drawing them into yours. 

DAY SIX

Ah the right wing. This wing was killer. I almost made the mistake of thinking the macaw's feathers were blue on the top and bottom. After looking it over I found they were just a darker color of red. The feathers are actually layered, and their blue feathers are on top. That being said I really thought I would have more blue in this picture, but If I am going to make it believable you have to do your research, even if you are making it your own. Now if you are drawing directly from your imagination, which I love, then all bets are off. This is the funny part I made sure that I placed the blue on the second wing anyways. I changed to composition to have this wing come off the border. It solved two problems for me, One I needed the wings to match up in color, and Two this was a perfect line of action that made this draw much more interesting. Now I was ready to move forward. 

DAY SEVEN

This is the phase where most of artists start to crash. The final lap of the finish line, and you fear finishing. Part of you wants to push harder just to end it, and the other halve just wants to put it away and never finish it because you fear the success or failure of possible messing up. This is where you have to be cautious and take breaks. For me I told myself I would just do the log for the day, and as hard as that was I did it. I added the shadows, and different colors of browns to get the color I wanted. A voice poked in to my head saying just color in the shrubs and be done with it, I know that would have been a big mistake. I was tired, and my wrist was hurting, and I know I would have skipped details, and just rushed it. So I gave it one more day. I originally attempted to draw this 18" x 24" colored pencil piece in 7 days, but I would rather add one more day and be happy with it, than ruin it but trying to hit a deadline that I placed on myself. 

DAY EIGHT

And with the large brush in the background with the skyline, this piece is finally completed. I think this piece cemented me into a good spot as an artist. What I accomplished fore myself was just priceless when I finished this macaw piece. I used over forty colored pencils, and I did it in eight days. It was a good feeling to know I did that, and I wanted to do it again. I continued making new portfolio pieces here on out, and rebuilding everything. If you think about it The Flight of the Macaw was me. I was spreading my wings and letting the wind take me. All the way trough I animated him in my head watching him move, and I think that made the picture take form and move with me. 

Thank you very much for following me on this piece, and remember prints are available at http://fineartamerica.com/featured/the-flight-of-the-macaw-derrick-rathgeber.html

The Flight of the Macaw: Colored Pencil Drawing by Derrick Rathgeber

The Flight of the Macaw

by Derrick Rathgeber

Price $400

http://derrickr.webs.com/apps/webstore/products/show/4079072

The Flight of the Macaw was one of my greatest pictures as an artist. I not only completed this piece in a good time-frame but I used over 40+ colored pencils. Composing this image was no easy feat at all either. The reference shot I had was small and blurry, but the pose fit what I was going for. I used other references such as encyclopedias, and zoology books to get the bone structure, and muscle movements down. In this blog I will be giving you a day by day play into the creation of this piece. 

DAY ONE

And the macaw spreads his wings. There is something releasing about sketching the picture on the paper. It can be difficult to start a new project sometimes, and I know once I start to draw the piece I know it's on. I found a good composition in this image that followed a line of action. It gives the illusion of the birds movement, and flight path which is right off the page. I started to color the head and saw the clock, time for a break. 

DAY TWO

I really jumped right into this piece. I felt an immediate connection, and after the success with the Bird in Bloom piece I really wanted to improve more. I used about 4-5 pencils to get a good bone color in the beak. I started to work on the creases and noticed that after I colored in the eye, I felt him staring right at me with almost a grin. Although the camera I used picked up more white than it should have, you can still see the layers of colors I started to put in. I wanted to give this bird a bit of my personality, and you can see that with the yellow to red flame coloring I put in his feathers. 

DAY THREE

Something happened today that was a bit unexpected for me. I found detail that was not in the reference picture. My dad in Costa Rica took a far away shot of this bird in flight and it was very blurry. You could say that I winged it...pun. Seriously though I stopped looking at the photo at this point and just colored. I saw the form of this beautiful bird and knew where I wanted the muscles to flex, and even more I wanted to feathers to fluff out as if he had just flapped his wings, and you get that hint of back-draft. I also went right into the shading too. I don't usually do this until I shaded all the base colors, but like I said something just came over me today, and I was on fire looking forward to tomorrow. 

DAY FOUR

Back to what I was talking about in day three. The muscle definition. I think that was my primary focus on this piece. Not only did I want to see how many colors I could put in it, but I wanted to see how many feathers I could ruffle, and muscles I could flex. The one small challenge I found was the molted white feathers on the legs and by the wings. With colored pencils you cannot just color white over red and expect white. So I had to color around these areas using negative space, and then using small strokes to add the detail of them being white feathers. I did this with grays and browns. After adding some lights and shadows to this point I think I was done for the day. 

DAY FIVE

Today the macaw started to fly. Can I admit one thing, I actually go so nervous before I started the wings that I took a day or two away from this piece. after I put so much detail into the body I couldn't mess up on the wings. That would be the end of it. So I started on the feet. Believe it or not the feet were harder than the wings. I had to get a movement that made sense as well as give them some texture. The color was interesting to, I would say between the blues, grays and tan colors there were about 7-9 colors in the feet alone. That's why I love colored pencils. Just by adding one more color in a different direction or stroke you change the look and feel of what you are coloring. It may take longer, but you have total control. As for the wings I think the most difficult part was the angle of the feathers and showing the wind pushing down on the top feathers, and lifting the bottom. to do that I added a curve at the end of each feather, and moved them as I visualized the bird in motion. You have to do this, create a line of action and engage the audience. You have one image to capture their imagination, by drawing them into yours. 

DAY SIX

Ah the right wing. This wing was killer. I almost made the mistake of thinking the macaw's feathers were blue on the top and bottom. After looking it over I found they were just a darker color of red. The feathers are actually layered, and their blue feathers are on top. That being said I really thought I would have more blue in this picture, but If I am going to make it believable you have to do your research, even if you are making it your own. Now if you are drawing directly from your imagination, which I love, then all bets are off. This is the funny part I made sure that I placed the blue on the second wing anyways. I changed to composition to have this wing come off the border. It solved two problems for me, One I needed the wings to match up in color, and Two this was a perfect line of action that made this draw much more interesting. Now I was ready to move forward. 

DAY SEVEN

This is the phase where most of artists start to crash. The final lap of the finish line, and you fear finishing. Part of you wants to push harder just to end it, and the other halve just wants to put it away and never finish it because you fear the success or failure of possible messing up. This is where you have to be cautious and take breaks. For me I told myself I would just do the log for the day, and as hard as that was I did it. I added the shadows, and different colors of browns to get the color I wanted. A voice poked in to my head saying just color in the shrubs and be done with it, I know that would have been a big mistake. I was tired, and my wrist was hurting, and I know I would have skipped details, and just rushed it. So I gave it one more day. I originally attempted to draw this 18" x 24" colored pencil piece in 7 days, but I would rather add one more day and be happy with it, than ruin it but trying to hit a deadline that I placed on myself. 

DAY EIGHT

And with the large brush in the background with the skyline, this piece is finally completed. I think this piece cemented me into a good spot as an artist. What I accomplished fore myself was just priceless when I finished this macaw piece. I used over forty colored pencils, and I did it in eight days. It was a good feeling to know I did that, and I wanted to do it again. I continued making new portfolio pieces here on out, and rebuilding everything. If you think about it The Flight of the Macaw was me. I was spreading my wings and letting the wind take me. All the way trough I animated him in my head watching him move, and I think that made the picture take form and move with me. 

Thank you for stopping by. 

Derrick Rathgeber

Bird in Bloom by Derrick Rathgeber

Featured Art - Bird in Bloom: Never Give up 

by Derrick Rathgeber

http://DerricktheArtist.com

Title: Bird in Bloom

Artist: Derrick Rathgeber - Derrick the Artist
Medium: Colored Pencils/ 22 x 28 Poster Board Soft White

Buy the Original: $800.00

http://derrickr.webs.com/apps/webstore/products/show/4079002

Prints available starting at $40.00
http://pixels.com/featured/bird-in-bloom-derrick-rathgeber.html

Bird in Bloom this piece is so nostalgic to me as an artist. I think it means more to me that most of my art pieces, and for good reason. I went from a very dark place to a new brighter future with this one picture. 

Back in 2008 I was in a severe accident on the job, as a cable technician, that left me completely disabled. I was crushed by a faulty ladder and my entire body was bent backwards like an accordion and what was worse was the 150lb 14ft extension ladder landed on my right wrist. My chances of ever drawing again were not looking good at all. What made things worse was the fact that my injury was on the job. The insurance company never took my injuries seriously, and to this day they are still refusing treatments. 

In 2009 I continued to work on these injuries due to the insurance companies doctor. Although my treating physician placed me on full disability the insurance company sent me to a "wrist" specialist. This doctor examined only my wrist and hand, and not the rest of the injuries which included my back, lumbar spine, hips, shoulder, neck, and so on. Based on his report my work limitations were decreased and I was sent back into the field. I continued to take it easy and do only disconnects, and simple installs for a while. Until May 1st 2009, my co-worker called in sick. It was his week on call, and they had me take over his work load despite my limitations. I argued, but they threatened terminating me, and I had a family to think about. I really wished I listened to my gut. That day I pushed myself too far. I did two line drops, a trench, full house install, and multiple line repairs. I worked from 8:00am - 8:00pm with no breaks. In Blythe the weather that day was 110 degrees. Needless to say I just went home and passed out for the night. 

May 2nd 2009, Probably the scariest day of our families lives. I woke up from the day before completely drained and exhausted. I was constantly dizzy and couldn't focus. I felt really sore so I tried to do some yoga to stretch out a bit. I put the DVD in and did about half of the warm-up but that was too much. I told my wife that I was just not feeling well and went back to sleep. She watched the kids, and I went to lay back down. I woke up again around the evening time and went to the rest room. Sorry if this is a bit graphic but I peed what looked like Coca Cola. It was black. By the time I was able to look what happened I was already blacking out. My kidneys were failing. My wife got me to Palo Verde Hospital and they were a bunch of retards. They made me get out of my wheelchair, and walk. Took their time to get me a room. And when the blood results came back they thought it was an error, and almost sent me home with Gatorade. You see with all the injuries I had and me working myself to death the day before in the heat I got Rhabdomyolysis - (the breakdown of muscle fibers that leads to the release of muscle fiber contents (myoglobin) into the bloodstream. Myoglobin is harmful to the kidney and often causes kidney damage.) 

My CK levels were over 90,000, and they are supposed to be within the 150 range. I was literally off the charts and should have been dead. After being transferred to an actual hospital in Sun City Arizona (another 4 hour ambulance ride.) I had to stay there for a good two weeks until my levels were in a respectable range. And finally I was taken off work for the time being. 

It's now 2012 and that day still haunts me. I am in a huge fight with this insurance company as I imagine most people are. I can still feel my body degrading, and falling apart. My wrist has developed carpel tunnel and signs of arthritis. My elbow, back and shoulder hurt with every use, and I now require a cane to walk. Did I mention that I am in my 30's. I had about given up any hope of ever draw or have a normal life ever again. I was in such a hole that I really wanted to just give up. I wasn't getting better, I wasn't getting paid anything, and it really hurt to do anything I liked to do. Even sitting down for longer than 20 minutes would kill my back. I didn't know why I was left to just rot, and I lost all faith in people. That is until my wife reminded me how much she had never lost her faith in me. 

She bought me a special sketch book. It was suede covered, and very nice. At this time I hadn't drawn a picture in years. Not so much a doodle. She saw that I was losing myself, and I really missed it, and she knew it. She had one rule, I draw what I want. I don't judge it, and I don't share it with anyone. Just draw. 

And I did. I found small times where I would just sketch, nothing fancy or great, but I did it. My hand was shaking, my wrist was in severe pain, and my back was straining, but I was drawing. That's the only thing I focused on. I noticed over the next few pages that I was slowly getting it back. I noticed that I was actually getting a bit better. Because of the pain, and shaky hands I had to slow down. I couldn't draw for hours anymore, but with the time I gave myself to draw I was completely focused, and really looked closely at the drawings. I was no longer the fast artist I once as, who learned to animate and draw accurate lines with one stroke, but a new kind of artist that drew sketchy lines, and slowed down quite a bit. It wasn't worse, just different. 

Towards the end of the year I was at the store and I came home with a large poster board. My wife asked what that was for, and I said I am going to full this paper up with color. I was going to to a full 22" x 28" colored pencil drawing no matter how long it took. I grabbed reference shots and compiled it together. I chose the Gerber daisy because it's my wife's favorite flower, and this picture was dedicated to her belief in me. And the humming bid was because well we see them all over our back yard, and I thought it would look great in the picture. For the next three months I worked on this piece, and I was shocking myself. By the time I was done, I didn't believe I did it. I almost didn't want to finish it. After posting it online I was approached to place it in a show. At this time aside from the fairs, I had never been in a show, or a gallery. And this showcase was a juried show with professional artists. 

Something funny happened at this show. I won Best in Show. I didn't expect to win anything to be honest. Now this wasn't a money winning category, but I won. Part of the reason was my colored pencil drawing was categorized as a painting. They thought I colored this piece so well that it was a painting. Even better the judge couldn't believe the size of the piece, and he told be that he himself couldn't do it. Me I thought nah he must be buttering me up or trying to make me feel better. That was until people were shaking my hand. They were respecting me as an artist, and calling me their equal. This was all new to me. I wanted to do this all my life, and now it's possible.

So with this piece I was able to start new. I am still in a lot of pain, and may never be the same again, but now I have a future to look forward to. I have drawn many more colored pencil pieces since then, and I continue to do much more. I may not have a lot of money, or completely healthy, but I have a great family backing me, and I feel so successful as an artist because I am able to draw again, and share my work with all of you. I hope if something ever happens like this in your life that you use it to better yourself too. Don't let negative people, and negative events in your life take away your life. I wasted a lot of time in sorrow, and pain. I can't imagine where I would be now if I just gave up. I probably wouldn't be around to see how much  great things I would have missed out on. So Thank you for supporting me everyone, you make pictures like this one happen, and you make me continue to fight. And especially to my wife, thank you for finding the light in me that I thought was completely smothered in the dark. I love you. 

Thank you for reading, 

Derrick Rathgeber 

http://DerricktheArtist.com