How to Draw a Feather With Colored Pencils

How to Draw a Feather With Colored Pencils

by Derrick Bruno

Http://HalfEvil333.com

Thank you for your Donation & Support!

https://www.pinterest.com/pin/60869032440589807/

Welcome back to my free art lessons page. In this lesson I will teach you a fun way to create feathers with character and color. I had many suggestions on what colors to use and I got an overwhelming amount of purples and blues, but you may choose any combination of colors that you like. We will focus on our strokes, directional shading, and color blending in this lesson this time around. So shall we begin?

Step 1: To start this lesson we are going to create a basic line sketch of our feather. Start with the quill of the feather to create your curve. Once you have the shape of the feather you would like begin sketching from the bottom up to create an outline as shown below. 

Tip: You can also get a bit creative and play with different shapes of feathers or use a reference of a specific feather you would like to draw. I encourage imagination & originality. 

Step 2: In this step we are going to add a bit of character to the feather which will also help us with the coloring. Erase a couple sections in the sides of the feather to add breaks in the feather. Once you are satisfied with the look of your feather add some loose strings to the bottom near the base to show breakage. Once finished, we are now ready to grab some color. 

Step 3: Starting with the color Black we are going to start giving the feather direction and shape. Make sure your pencil is sharpened nicely and start off by shading in a V like pattern up and down the feather like a Richter scale. Once you have this area shaded in re-sharpen your pencil and add in some line strokes through the shading. 

Step 4: It's time to grab our colors and make this feather stand out. For this lesson I will be using shades of Purple, & Blue. My kids wanted me to do an Ice feather, and I thought that would look pretty cool. To start off reach for the Purple colored pencil and starting from the bottom you are going to color in the direction of the feather in a V like pattern. We are going to go over the black colors and overlay this effect to start a blending. Add more sharp stroke lines to pull the purple out across the feather. This will stand out towards the end of the picture. Remember to add some purple to the bottom of the feather for the broken spurs at the bottom.

Step 5: Next we are going to add our blue to the feather. For this portion I used a Royal Blue colored pencil to have a nice bold color to blend into the purple. Color over the purple and black areas and expand the strokes a little further outward to cover more of the feather. Remember to follow the same direction of strokes from the stem to the end of the feather. Create a feathering effect on the border of the feather with small jagged strokes along the edges of the feather. This will give the illusion of individual hairs. Once finished sharpen your Royal Blue color and make individual strokes from the shaft to the edge one by one. This will create a sense of shading across the feather. 

Step 6: For the last step we are going to add the final color and do some clean up work. I used a Sky Blue color to finish this feather off. Using the sky blue you are going to cover the feather completely, but remember to color in the direction of the feather hairs. From the stem to the edge. This is important because if you go left and right or in circles you will lose that illusion of individual strands that we are going for. Once you have the look you are going for we are going to clean up the feather by adding more Black and some Gray for the stem. Begin by going over the black once more to bring it out some more. Add a couple of strokes across the feather and the edges to create some shading. Once you are satisfied, use the gray to shade in the stem to complete the drawing.

This is a fun lesson to repeat in many different ways. You can create some very cool feathers by adding swirl designs, or playing with different colors. Just remember to have fun with it and make it your own drawing. The most important skill you want to take a way from this lesson is the directional shading, and the different strokes you get from a sharpened pencil and a dull one. Both have their advantages. 

I hope you enjoyed this lesson. Remember to subscribe to my blog for more Free art lessons, and Advice on how to get past the many road blocks we face as artists. Have a great day. 

Follow me on Pinterest for a complete set of Lessons with quick links and great images. 

Http://Pinterest.com/DtheArtist

Break the Chains That Bind Your Artwork

Breaking boundaries and becoming more creative than you ever thought you could be. That is what today’s blog is all about. I’ll be the first to admit that I changed my entire drawing style to build myself as a professional artist. I honestly felt no one would take me seriously if I kept drawing characters, and creations out of my mind. I tried, I really did. I would post my work online and got nothing back in return. Was this because I wasn’t good enough, or people didn’t like what I had drawn? Now that I look back on it I don’t think so. I think it was because I didn’t believe in myself enough. I held back in a lot of my work and it suffered dramatically. I would spend hours creating a lot of detail in the beginning, and then just tire of the drawing because it wasn’t me. It just didn’t represent me as an artist.

I have felt really chained down as an artist these past few months and as I was looking up a reference shot for my next piece I asked myself why? This picture I am about to draw has already been captured on photograph it’s done. What about all the great pictures in my mind that are trapped in there. I literally had thousands of images screaming to be released onto paper, and I was scared that I would mess them up. There is pressure to create; I always wanted to be original and draw different than everyone else. Even when I would draw from reference I wanted to find a way to change the image, but I really felt bound to make the image look like what I was drawing just because. I know it’s not a good reason but the pressure to be great, and build a portfolio got me thinking I had to make everything believable and real. And then it hit me just the other day why can’t I have the best of both, and make the imagination real and believable.

I found myself with a dilemma. Do I continue to build my portfolio with realistic colored pencil drawings or do I draw for fun. In the end I answered with my gut feeling to do it for me. So my next piece is called Beyond Imagination. At first I started to collect pictures of things I would add to my work I thought to myself that I am doing it again. I was already judging myself, and holding back by using images as a crutch. If I really wanted to release my talent I had to just draw. So in this image I am drawing it from left to right adding all the detail as I go. I started with a dragon, and a witch, and a phoenix. I have no idea what is next, and I don’t care if it makes sense. It’s imagination and fun. I hope you can do the same.

I propose a challenge to everyone. On your next piece, if you want to find out how much you have evolved as an artist, I want you to use everything you have learned to this point and just draw. Lay it all out on the paper. Don’t think about judgment from peers, or from yourself just go. Whatever comes into your mind go for it. The only other rule I ask for is to not use reference shots, photos, or any previous artwork. Make it yours, make it new, and take your time. Sometimes when you hit the professional level you get a following who love your “style.” If so fantastic don’t change. For me although I have gained a lot of praise for my work, it’s time for me to take a step back for a while and brake the chains that bound my imagination. I plan on growing, and releasing all I have to give, I hope you do too. Take the limiters off, and be creative again.

I hope to see some great new creations. Find me on my Facebook page at http://Facebook.com/DerricktheArtist and share them with me.

Thank you for reading,

Remember to Share, Comment, and Subscribe.

Derrick Bruno-Rathgeber

http://DerricktheArtist.com

The Flight of The Macaw - by Derrick Rathgeber

The Flight of the Macaw

by Derrick Rathgeber

http://DerricktheArtist.com

The Flight of the Macaw was one of my greatest pictures as an artist. I not only completed this piece in a good time-frame but I used over 40+ colored pencils. Composing this image was no easy feat at all either. The reference shot I had was small and blurry, but the pose fit what I was going for. I used other references such as encyclopedias, and zoology books to get the bone structure, and muscle movements down. In this blog I will be giving you a day by day play into the creation of this piece. 

Prints are available at http://fineartamerica.com/featured/the-flight-of-the-macaw-derrick-rathgeber.html

DAY ONE

And the macaw spreads his wings. There is something releasing about sketching the picture on the paper. It can be difficult to start a new project sometimes, and I know once I start to draw the piece I know it's on. I found a good composition in this image that followed a line of action. It gives the illusion of the birds movement, and flight path which is right off the page. I started to color the head and saw the clock, time for a break. 

DAY TWO

I really jumped right into this piece. I felt an immediate connection, and after the success with the Bird in Bloom piece I really wanted to improve more. I used about 4-5 pencils to get a good bone color in the beak. I started to work on the creases and noticed that after I colored in the eye, I felt him staring right at me with almost a grin. Although the camera I used picked up more white than it should have, you can still see the layers of colors I started to put in. I wanted to give this bird a bit of my personality, and you can see that with the yellow to red flame coloring I put in his feathers. 

DAY THREE

Something happened today that was a bit unexpected for me. I found detail that was not in the reference picture. My dad in Costa Rica took a far away shot of this bird in flight and it was very blurry. You could say that I winged it...pun. Seriously though I stopped looking at the photo at this point and just colored. I saw the form of this beautiful bird and knew where I wanted the muscles to flex, and even more I wanted to feathers to fluff out as if he had just flapped his wings, and you get that hint of back-draft. I also went right into the shading too. I don't usually do this until I shaded all the base colors, but like I said something just came over me today, and I was on fire looking forward to tomorrow. 

DAY FOUR

Back to what I was talking about in day three. The muscle definition. I think that was my primary focus on this piece. Not only did I want to see how many colors I could put in it, but I wanted to see how many feathers I could ruffle, and muscles I could flex. The one small challenge I found was the molted white feathers on the legs and by the wings. With colored pencils you cannot just color white over red and expect white. So I had to color around these areas using negative space, and then using small strokes to add the detail of them being white feathers. I did this with grays and browns. After adding some lights and shadows to this point I think I was done for the day. 

DAY FIVE

Today the macaw started to fly. Can I admit one thing, I actually go so nervous before I started the wings that I took a day or two away from this piece. after I put so much detail into the body I couldn't mess up on the wings. That would be the end of it. So I started on the feet. Believe it or not the feet were harder than the wings. I had to get a movement that made sense as well as give them some texture. The color was interesting to, I would say between the blues, grays and tan colors there were about 7-9 colors in the feet alone. That's why I love colored pencils. Just by adding one more color in a different direction or stroke you change the look and feel of what you are coloring. It may take longer, but you have total control. As for the wings I think the most difficult part was the angle of the feathers and showing the wind pushing down on the top feathers, and lifting the bottom. to do that I added a curve at the end of each feather, and moved them as I visualized the bird in motion. You have to do this, create a line of action and engage the audience. You have one image to capture their imagination, by drawing them into yours. 

DAY SIX

Ah the right wing. This wing was killer. I almost made the mistake of thinking the macaw's feathers were blue on the top and bottom. After looking it over I found they were just a darker color of red. The feathers are actually layered, and their blue feathers are on top. That being said I really thought I would have more blue in this picture, but If I am going to make it believable you have to do your research, even if you are making it your own. Now if you are drawing directly from your imagination, which I love, then all bets are off. This is the funny part I made sure that I placed the blue on the second wing anyways. I changed to composition to have this wing come off the border. It solved two problems for me, One I needed the wings to match up in color, and Two this was a perfect line of action that made this draw much more interesting. Now I was ready to move forward. 

DAY SEVEN

This is the phase where most of artists start to crash. The final lap of the finish line, and you fear finishing. Part of you wants to push harder just to end it, and the other halve just wants to put it away and never finish it because you fear the success or failure of possible messing up. This is where you have to be cautious and take breaks. For me I told myself I would just do the log for the day, and as hard as that was I did it. I added the shadows, and different colors of browns to get the color I wanted. A voice poked in to my head saying just color in the shrubs and be done with it, I know that would have been a big mistake. I was tired, and my wrist was hurting, and I know I would have skipped details, and just rushed it. So I gave it one more day. I originally attempted to draw this 18" x 24" colored pencil piece in 7 days, but I would rather add one more day and be happy with it, than ruin it but trying to hit a deadline that I placed on myself. 

DAY EIGHT

And with the large brush in the background with the skyline, this piece is finally completed. I think this piece cemented me into a good spot as an artist. What I accomplished fore myself was just priceless when I finished this macaw piece. I used over forty colored pencils, and I did it in eight days. It was a good feeling to know I did that, and I wanted to do it again. I continued making new portfolio pieces here on out, and rebuilding everything. If you think about it The Flight of the Macaw was me. I was spreading my wings and letting the wind take me. All the way trough I animated him in my head watching him move, and I think that made the picture take form and move with me. 

Thank you very much for following me on this piece, and remember prints are available at http://fineartamerica.com/featured/the-flight-of-the-macaw-derrick-rathgeber.html

Derrick the Artist is on the Rise!

http://DerricktheArtist.com

Oh what a fantastic start for 2014. Where would I be without family, friends, and my fantastic art community? Not where I am today I can guarantee that. I have some building to do, and a bit further to climb, but the direction I am going is definitely the right one. 

Over the past few months I have had some ups and downs on the course of my art career. I missed a few promotions here and there, and even more shows, but that is all in the past. It's funny how God works. Just when you feel angry with him, and you begin to think that he is not listening, he shows you he is. Last month I wrote about my anger with the world. How I have given all that I can give, and I felt it was my turn to get some help now that I needed it. When that help didn't come right away I was angry. I felt like a spoiled brat, but at the same time I knew it was good to voice my frustrations. A few weeks went by and although nothing had changed I felt a change in the air. It was like the pressure I placed on myself had lifted, and I forgot why I was angry in the first place. And that's when everything changed. 

The name Derrick the Artist was already on the Rise. This year alone I have already started my first large show. The Annual Artscape in Riverside, CA. This show is big, and runs from February to August of 2014, and in May I have been asked to draw a few pieces for the Riverside Prom, and join the committee. My artwork which is produced using RoseArt brand pencils is going to be see by a whole lot of professional artists all over. I have never been able to pay for the expensive brand name pencils and to me that didn't make a difference. I used what I had, and did not understand the impact that would have on the people around me. 

On this blog you will notice that I give art lessons using the RoseArt pencils. Despite the critics the pencils are a great price range that all people can afford, but to me they output fantastic colors. As I started to make more lessons using pencils that more students, and young children were using I found there was a need for these lessons to be accessible. I have been getting a whole lot of thank you letters and messages asking me to make more, and they like to know that because they cannot afford the high priced art supplies they to can produce award winning art as well. They weren't limited to their budget like myself. I like being there for these young adults and artists who have questions. It feels good, and eventually I would like to set up an artist mentoring program on a volunteer basis as one of my goals. For now I'll continue building, and working for it. 

Another big deal for me that I received recently was a donation on my website by a lady from Kentucky. No kidding I was running out of colors to use, and I was seeking donations to purchase new pencils, and paper. My last black had whittled down, and I kid you not that morning I received a donation that allowed me to purchase enough materials for the next few months. I am usually the one outputting all that I can, and I cannot believe that someone felt I was worth investing in. It really brought my soul back to life, and I was lifted up with ambition to do more. I cannot wait to pay it all forward and giving all I can give, and teaching all I can teach to all that will ask or listen. 

So as I am on the rise be sure to continue watching to all that I am putting out. I built a shop to sell my artwork on great gifts. The proceeds go to adding more options and building the Artist Mentoring Network. I will be seeking artists who are willing to chime in voluntarily to help young artists, and student artists.My comic Strip Twisted Fate will be growing, and becoming an animated Flash comic by 2015, and my art lessons will continue to grow. Possibly a book by next year as well. Finally new large pieces of artwork to share with the world. I hope you will continue to join me as I grow as an artist with you. Remember to visit my webpage for news and updates on everything. 

I want to see all of you Rise with me as well. 

Thank you for reading, 

Derrick Rathgeber

Break the Chains That Bind Your Artwork

Breaking boundaries and becoming more creative than you ever thought you could be. That is what today’s blog is all about. I’ll be the first to admit that I changed my entire drawing style to build myself as a professional artist. I honestly felt no one would take me seriously if I kept drawing characters, and creations out of my mind. I tried, I really did. I would post my work online and got nothing back in return. Was this because I wasn’t good enough, or people didn’t like what I had drawn? Now that I look back on it I don’t think so. I think it was because I didn’t believe in myself enough. I held back in a lot of my work and it suffered dramatically. I would spend hours creating a lot of detail in the beginning, and then just tire of the drawing because it wasn’t me. It just didn’t represent me as an artist.

I have felt really chained down as an artist these past few months and as I was looking up a reference shot for my next piece I asked myself why? This picture I am about to draw has already been captured on photograph it’s done. What about all the great pictures in my mind that are trapped in there. I literally had thousands of images screaming to be released onto paper, and I was scared that I would mess them up. There is pressure to create; I always wanted to be original and draw different than everyone else. Even when I would draw from reference I wanted to find a way to change the image, but I really felt bound to make the image look like what I was drawing just because. I know it’s not a good reason but the pressure to be great, and build a portfolio got me thinking I had to make everything believable and real. And then it hit me just the other day why can’t I have the best of both, and make the imagination real and believable.

I found myself with a dilemma. Do I continue to build my portfolio with realistic colored pencil drawings or do I draw for fun. In the end I answered with my gut feeling to do it for me. So my next piece is called Beyond Imagination. At first I started to collect pictures of things I would add to my work I thought to myself that I am doing it again. I was already judging myself, and holding back by using images as a crutch. If I really wanted to release my talent I had to just draw. So in this image I am drawing it from left to right adding all the detail as I go. I started with a dragon, and a witch, and a phoenix. I have no idea what is next, and I don’t care if it makes sense. It’s imagination and fun. I hope you can do the same.

I propose a challenge to everyone. On your next piece, if you want to find out how much you have evolved as an artist, I want you to use everything you have learned to this point and just draw. Lay it all out on the paper. Don’t think about judgment from peers, or from yourself just go. Whatever comes into your mind go for it. The only other rule I ask for is to not use reference shots, photos, or any previous artwork. Make it yours, make it new, and take your time. Sometimes when you hit the professional level you get a following who love your “style.” If so fantastic don’t change. For me although I have gained a lot of praise for my work, it’s time for me to take a step back for a while and brake the chains that bound my imagination. I plan on growing, and releasing all I have to give, I hope you do too. Take the limiters off, and be creative again.

I hope to see some great new creations. Find me on my Facebook page at http://Facebook.com/DerricktheArtist and share them with me.

Thank you for reading,

Remember to Share, Comment, and Subscribe.

Derrick Rathgeber

http://DerricktheArtist.com

Twisted Fate: Special Edition - Original Assassins

This Special Edition Twisted Fate Comic Strip features the most best Assassin of them all.
Thank you Ubisoft for your support. Unfortunately he was too good, The Fates have a job to do.

Thank you,
DerricktheArtist.com

What Is It Worth To You?

What a month it has been. I have had some highs, some lows, really lows, and an incredible high! Where do I begin. As some of you may know I am partially disabled, and my income is quite limited. Even so I found a way through hardcore budgeting to make sure each of my kids were covered with at least 2 gifts each. Nothing huge, but I know it's going to be a great Christmas morning. I really thought I was going to be able to do much more this month as my exposure was through the roof, and the word is finally getting out with all the hard work I have done this entire year. I was really wondering if it was all worth it at all, or if I was just fooling myself. Honestly I am still a bit iffy about having a full time career in the art industry.

A while back I wrote a blog titled Never Give Up, and it was viewed here and there, but no more than any of my other blog posts.Colored Pencil Magazine read it and asked me if they could do a feature about my blog post, and of course I said yes. I really love this Magazine, they have supported me more that any company by posting my comments, art lessons, even my work on their Facebook Page. I was thinking this was going to be a spot light feature including my name and a picture of my work, but to my surprise they decided to give me a two page large print feature. I am still floored, and don't know how to thank them. They made sure they printed my website in the magazine, and featured me again on their Facebook page. The featured image was my  large 22 x 28 inch Bird in Bloom Piece, and I couldn't be more proud of this piece, and now it  was in an international printed magazine. Things were really looking up big time.

Or maybe I just got my hopes up a bit too much. As far as exposure and reaching out to many great artists who enjoyed my article that was a true success. I am very honored to have a lot off the big guns coming to me for advise and help. I cannot wait until I can contribute more. For now I am looking forward to making a sale. But as of right now I am really hurt, by not only the community of artists and collectors, but close family and friends that have made me really question the value of my work.I have put a whole lot of work into creating these large works of art, months for some. I have four children and a two bedroom apartment so to find time to draw alone is a challenge. But I do it. Not only do I do these works for my portfolio I also find the time to draw and write free art lessons and make sure they are available on multiple social media platforms mainly because I know how rough times are and I know many people of all ages can use them. For that I will continue making more. How much more work am I going to put out to realize that no one wants to buy.

Last month for Cyber Monday I had taken off 50% off every original signed piece of artwork I had. Not only that I did the same for prints, commissions, graphic design and well all of it. Here I am with over 7,000 visitors to my blog, several hundred per social media outlet, and I nothing. No sells, no orders, not even a request. I extended it for an entire week. And nothing. I am in a national magazine with thousands of readers. Nope nada. I think the nail in the coffin was a comment made to me last week by a close family friend was that i was asking WAY too much for my artwork. The piece was was talking about was my Bird in Bloom piece. Keep in mind Bird in Bloom won Best in Show in a live judged gallery competition, and is currently being featured in a national magazine. The piece is large for a colored pencil piece and took me several months to create with a wrist that was still healing from a torn tendon. At the time he was interested the piece was half off for the Cyber Monday deals at $350.00... Basically to me he might as well have said it was worthless. Did he really think a drawing of that size was worth a hundred bucks or something? Was it only worth a hundred? Being that I haven't sold anything it kind of made me wonder deep down if I my artwork was worth selling to the point of making a living.

Right now the way I see it is people like that are going to come and go. Sure he hit me hard with that one comment but I know he was wrong. Am I upset.. Sure if your reading my rant here you know I am pretty upset. Something I am going to take from all this is I am not going to let it stop me from enjoying what I do. I am not a rich man now. I have much more hard work to do. I am not getting paid for the work, but you know what I get something else from everything I do. I get the experience. I get to meet people around the world. I get to help young artists find art lessons that they can use to learn how to draw with. FOR FREE! No sign ups, no membership, no fees. If you want to donate feel free, but don't feel pressured. I get to make people laugh again for free. My online comic strip Twisted Fate is also available on my site. And you know what there will be a day, probably sometime next year, where I'll be so busy I am going to wish for the days when I didn't have a job booked. And so will you.

So what is art worth? Honestly I still do not have that answer yet. I have read formulas, went into forums, and asked many many artists, and they all say what's it worth to you? If you have a piece that you won't part with for less that $600.00 then don't. Do not let someone talk you down because they don't understand the time, pain, love, and everything you put into that piece. They don't see the part of your soul that aches just thinking about selling it. A lot of times they are just trying to get you to question your worth so they can save a buck. I am worth more and so are you. Stay busy, stay positive, and step back and price your work to what you want to because in the end you are and artist, which means you are your own boss.

Thank you for listening/reading,

Derrick Rathgeber
http://DerricktheArtist.com
DerricktheArtist@Live.com

Purchase your own printed or digital copy of the December Issue of Colored Pencil Magazine featuring my article Never Give Up by clicking the link below. Thank you for your Support. 

http://www.magcloud.com/browse/issue/663632 

Twisted Fate: Show Off - Original Comic Strip

Twisted Fate: Show Off

by Derrick Rathgeber

Twisted Fate: Show Off by Derrick Rathgeber

Our Fate decides to create an elaborate pulley system with the threads of life. This can’t be good…Awesome maybe.

Visit the Twisted Fate comic strip series on Pinterest at http://www.pinterest.com/DtheArtist/twisted-fate/

Be sure to find me on Facebook for more fun and great art. http://Facebook.com/DerricktheArtist

Thanks again, 

Derrick Rathgeber

http://DerricktheArtist.com

DerricktheArtist@Live.com

Featured Art: Angel of Death by Derrick Rathgeber

Angel of Death

Medium: Colored Pencils/ Bristol Smooth 11" x 14"

Original Price: $150.00 -  Click Here to Buy Now.   

Prints are Available:

http://pixels.com/featured/angel-of-death-derrick-rathgeber.html

 

Angel of Death is a tragic illustration of the original poem by my wife. This 11 x 14 colored pencil drawing shows the dancing of death in the pale moonlight in visual that I can't begin to describe as she did in her poetry. 

Angel of Death

By Patricia Rathgeber

“Come dance in the moonlight, little sister.” He calls

The blades sheen reflects off my pale skin

His shadow grows up against the dark walls

As we dance, the darkness blends and I don’t know where he ends and I begin

A tear against the flesh gives way to liquid crimson

The blood, it streams down to the ground

I watch my life melt away, a stream that glistens

The silence is so loud even though there is no sound

He turns me, dips me and I feel faint

I float like a feather, so light weight

He kisses me, my metallic Saint

The taste of his victory over me, I’ve met my fate

The nirvana of the spins makes me drunk as I slowly lose life

His wings spread wide like a bird of prey with meat in his sight

I can’t refuse his kiss, no strife

Growing weak, I no longer put up a fight

I allow myself to fade in his arms

Taking it all in, my memories flash by so fast

Soaking up all his whispery charms

His kiss, the sin, is my very last

More great poems by Patricia Rathgeber can be found on her website below..

http://www.snsaintalwaysnice.com/

Own the original today.

Http://Derrickr.webs.com

Twisted Fate Comic Strip - Don't Bet on Fate: By Derrick Rathgeber

Twisted Fate - Don't Bet on Fate

Don’t Bet on Fate - The new comic in the Twisted Fate comic strip by Derrick Rathgeber.

Thanks for stopping by. 

Derrick Rathgeber

http://Derrickr.Webs.com

Be sure to follow all of the action and new comics to come on Pinterest!

http://pinterest.com/derrickr333/twisted-fate-by-derrick-rathgeber-comic-strips/

The Flight of the Macaw: Colored Pencil Drawing by Derrick Rathgeber

The Flight of the Macaw

by Derrick Rathgeber

Price $400

http://derrickr.webs.com/apps/webstore/products/show/4079072

The Flight of the Macaw was one of my greatest pictures as an artist. I not only completed this piece in a good time-frame but I used over 40+ colored pencils. Composing this image was no easy feat at all either. The reference shot I had was small and blurry, but the pose fit what I was going for. I used other references such as encyclopedias, and zoology books to get the bone structure, and muscle movements down. In this blog I will be giving you a day by day play into the creation of this piece. 

DAY ONE

And the macaw spreads his wings. There is something releasing about sketching the picture on the paper. It can be difficult to start a new project sometimes, and I know once I start to draw the piece I know it's on. I found a good composition in this image that followed a line of action. It gives the illusion of the birds movement, and flight path which is right off the page. I started to color the head and saw the clock, time for a break. 

DAY TWO

I really jumped right into this piece. I felt an immediate connection, and after the success with the Bird in Bloom piece I really wanted to improve more. I used about 4-5 pencils to get a good bone color in the beak. I started to work on the creases and noticed that after I colored in the eye, I felt him staring right at me with almost a grin. Although the camera I used picked up more white than it should have, you can still see the layers of colors I started to put in. I wanted to give this bird a bit of my personality, and you can see that with the yellow to red flame coloring I put in his feathers. 

DAY THREE

Something happened today that was a bit unexpected for me. I found detail that was not in the reference picture. My dad in Costa Rica took a far away shot of this bird in flight and it was very blurry. You could say that I winged it...pun. Seriously though I stopped looking at the photo at this point and just colored. I saw the form of this beautiful bird and knew where I wanted the muscles to flex, and even more I wanted to feathers to fluff out as if he had just flapped his wings, and you get that hint of back-draft. I also went right into the shading too. I don't usually do this until I shaded all the base colors, but like I said something just came over me today, and I was on fire looking forward to tomorrow. 

DAY FOUR

Back to what I was talking about in day three. The muscle definition. I think that was my primary focus on this piece. Not only did I want to see how many colors I could put in it, but I wanted to see how many feathers I could ruffle, and muscles I could flex. The one small challenge I found was the molted white feathers on the legs and by the wings. With colored pencils you cannot just color white over red and expect white. So I had to color around these areas using negative space, and then using small strokes to add the detail of them being white feathers. I did this with grays and browns. After adding some lights and shadows to this point I think I was done for the day. 

DAY FIVE

Today the macaw started to fly. Can I admit one thing, I actually go so nervous before I started the wings that I took a day or two away from this piece. after I put so much detail into the body I couldn't mess up on the wings. That would be the end of it. So I started on the feet. Believe it or not the feet were harder than the wings. I had to get a movement that made sense as well as give them some texture. The color was interesting to, I would say between the blues, grays and tan colors there were about 7-9 colors in the feet alone. That's why I love colored pencils. Just by adding one more color in a different direction or stroke you change the look and feel of what you are coloring. It may take longer, but you have total control. As for the wings I think the most difficult part was the angle of the feathers and showing the wind pushing down on the top feathers, and lifting the bottom. to do that I added a curve at the end of each feather, and moved them as I visualized the bird in motion. You have to do this, create a line of action and engage the audience. You have one image to capture their imagination, by drawing them into yours. 

DAY SIX

Ah the right wing. This wing was killer. I almost made the mistake of thinking the macaw's feathers were blue on the top and bottom. After looking it over I found they were just a darker color of red. The feathers are actually layered, and their blue feathers are on top. That being said I really thought I would have more blue in this picture, but If I am going to make it believable you have to do your research, even if you are making it your own. Now if you are drawing directly from your imagination, which I love, then all bets are off. This is the funny part I made sure that I placed the blue on the second wing anyways. I changed to composition to have this wing come off the border. It solved two problems for me, One I needed the wings to match up in color, and Two this was a perfect line of action that made this draw much more interesting. Now I was ready to move forward. 

DAY SEVEN

This is the phase where most of artists start to crash. The final lap of the finish line, and you fear finishing. Part of you wants to push harder just to end it, and the other halve just wants to put it away and never finish it because you fear the success or failure of possible messing up. This is where you have to be cautious and take breaks. For me I told myself I would just do the log for the day, and as hard as that was I did it. I added the shadows, and different colors of browns to get the color I wanted. A voice poked in to my head saying just color in the shrubs and be done with it, I know that would have been a big mistake. I was tired, and my wrist was hurting, and I know I would have skipped details, and just rushed it. So I gave it one more day. I originally attempted to draw this 18" x 24" colored pencil piece in 7 days, but I would rather add one more day and be happy with it, than ruin it but trying to hit a deadline that I placed on myself. 

DAY EIGHT

And with the large brush in the background with the skyline, this piece is finally completed. I think this piece cemented me into a good spot as an artist. What I accomplished fore myself was just priceless when I finished this macaw piece. I used over forty colored pencils, and I did it in eight days. It was a good feeling to know I did that, and I wanted to do it again. I continued making new portfolio pieces here on out, and rebuilding everything. If you think about it The Flight of the Macaw was me. I was spreading my wings and letting the wind take me. All the way trough I animated him in my head watching him move, and I think that made the picture take form and move with me. 

Thank you for stopping by. 

Derrick Rathgeber